Katie Buckholtz English Classroom

12th Grade

It’s the summer of 1969, and Bliss has been unceremoniously dumped by her hippie parents into the custody of her grandmother. Soon Bliss finds herself adjusting to life as a freshman at a fancy Atlanta school—and it’s a lot different from life on the commune. Although she quickly finds “normal” friends, she is drawn to Sandy, a gruff and unpopular girl with a long-standing grudge against Sarah Lynn, the icy beauty of the freshman class. The push and pull of the school drama is engaging enough, but there’s another element pressurizing the situation: an unsettling voice calling to Bliss from inside one of the school buildings, a voice somehow related to strange blood rituals and a long-ago suicide.

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Seattle is rife with racial tension as the city is terrorized by a serial murderer nicknamed "Indian Killer" because the victims, all white, are scalped and their bodies topped with a pair of white owl feathers. At the center of the novel stands the mentally disintegrating John Smith, a 6'6" Native American ignorant of his tribal roots because he was adopted and raised by white parents.

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The multigenerational saga of two extended families who live on and around a Chippewa reservation in North Dakota. Each chapter is narrated in a memorable voice like the one of Lipsha Morrissey, a young man who is believed to have "the touch," with which he attempts to bring his wandering grandfather back to his long-suffering grandmother with a love medicine made from goose hearts. By placing us right inside the heads of her remarkable characters, Erdrich allows us to feel the despair that insensitive government policies, poverty, and alcoholism have brought them.

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Anna was genetically engineered to be a perfect match for her cancer-ridden older sister. Since birth, the 13-year-old has donated platelets, blood, her umbilical cord, and bone marrow as part of her family's struggle to lengthen Kate's life. Anna is now being considered as a kidney donor in a last-ditch attempt to save her 16-year-old sister.

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Set in Little Bend, CO, and North Dover, VT, Abrahams's novel follows Cody, 16, who sustains a serious knee injury that leaves him on the bench during the most important recruiting year in his high school career. With no college scholarship in sight, he drops out of school. When his rich girlfriend, Clea, is reported missing from her Vermont boarding school, he drives East to find her and endangers himself in the process.

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14-year-old Lily Owen, neglected by her father and isolated on their South Carolina peach farm, spends hours imagining a blissful infancy when she was loved and nurtured by her mother, Deborah, whom she barely remembers. These consoling fantasies are her heart's answer to the family story that as a child, in unclear circumstances, Lily accidentally shot and killed her mother. All Lily has left of Deborah is a strange image of a Black Madonna, with the words "Tiburon, South Carolina" scrawled on the back. The search for a mother, and the need to mother oneself, are crucial elements in this well-written coming-of-age story set in the early 1960s against a background of racial violence and unrest. When Lily's beloved nanny, Rosaleen, manages to insult a group of angry white men on her way to register to vote and has to skip town, Lily takes the opportunity to go with her, fleeing to the only place she can think of--Tiburon, South Carolina--determined to find out more about her dead mother.

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Achebe sketches a world in which violence, war, and suffering exist, but are balanced by a strong sense of tradition, ritual, and social coherence. His Ibo protagonist, Okonkwo, is a self-made man. The son of a charming ne'er-do-well, he has worked all his life to overcome his father's weakness and has arrived, finally, at great prosperity and even greater reputation among his fellows in the village of Umuofia. Okonkwo is a champion wrestler, a prosperous farmer, husband to three wives and father to several children. He is also a man who exhibits flaws.

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